Progress Report

Writing of both the new science fiction story and the new fantasy story has reached the halfway mark, and although I am quite pleased at where things are heading I have decided to switch gears again. Currently writing an early 20th century adventure novel which has shades of Indiana Jones/The Three Musketeers/Treasure Island. Very excited about this one. It will likely be my best story.

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Here is the cover for my upcoming military science fiction novel (releasing 5/27/16). Its story is unique, to say the least 🙂

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Favorite Passages in Literature…

Old Man’s War, by John Scalzi

This book is classic military science fiction set in a future where humanity has spread out across a hostile universe. On Earth: John Perry is an old man who just turned 75, which means he’s finally reached the right age to join the Colonial Defense Force. Taken offworld with hundreds of other recruits, John and his friends are promised a new lease on life in the army, but are never given details of how elderly humans can make a difference in the fight. They are run through a battery of mental, emotional, and physical tests, then one day finally assigned an appointment with their ship’s doctor for “final physical improvements”…

(pg. 67)

My appointment was neither sooner nor later; at 0900 my PDA alerted me, and at 0915 there was a sharp rap at my door and a man’s voice calling my name. I opened the door to find two Colonials on the other side. I received permission from them to make a quick rest-room stop, and then followed them from my deck, back to the waiting room of Dr. Russell. I waited briefly before I was allowed entrance into his examination room.

“Mr. Perry, good to see you again,” he said, extending his hand. The Colonials who accompanied me left through the far door. “Please step up to the crèche.”

“The last time I did, you jackhammered several thousand bits of metal into my head,” I said. “Forgive me if I’m not entirely enthusiastic about climbing in again.”

“I understand,” Dr. Russell said. “However, today is going to be pain-free. And we are under something of a time constraint, so, if you please.” He motioned to the crèche.

I reluctantly stepped in. “If I feel so much as a twinge, I’m going to hit you,” I warned.

“Fair enough,” Dr. Russell said as he closed the crèche door. I noted that unlike the last time, Dr. Russell bolted down the door to the crèche; maybe he was taking the threat seriously. I didn’t mind. “Tell me, Mr. Perry,” he said as he bolted the door, “what do you think of the last couple of days?”

“They were confusing and irritating,” I said. “If I knew I was going to be treated like a preschooler, I probably wouldn’t have signed up.”

“That’s pretty much what everyone says,” Dr. Russell said. “So let me explain a little bit about what we’ve been trying to do. We put in the sensor array for two reasons. First, as you may have guessed, we’re monitoring your brain activity while you perform various basic functions and experience certain primal emotions. Every human’s brain processes information and experience in more or less the same way, but at the same time each person uses certain pathways and processes unique to them. It’s a little like how every human hand has five fingers, but each human being has his own set of fingerprints. What we’ve been trying to do is isolate your mental ‘fingerprint.’ Make sense?”

I nodded.

“Good. So now you know why we had you doing ridiculous and stupid things for two days.”

“Like talking to a naked woman about my seventh birthday party,” I said.

“We get a lot of really useful information from that one,” Dr. Russell said.

“I don’t see how,” I said.

“It’s technical,” Dr. Russell assured me. “In any event, the last couple days give us a good idea of how your brain uses neural pathways and processes all sorts of stimuli, and that’s information we can use as a template.”

Before I could ask, A template for what, Dr. Russell continued. “Second, the sensor array does more than record what your brain is doing. It can also transmit a real-time representation of the activity in your brain. Or to put it another way, it can broadcast your consciousness. This is important, because unlike specific mental processes, consciousness can’t be recorded. It has to be live if it’s going to make the transfer.”

“The transfer,” I said.

“That’s right,” Dr. Russell said.

“Do you mind if I ask you what the hell you’re talking about?” I said.

Dr. Russell smiled. “Mr. Perry, when you signed up to join the army, you thought we’d make you young again, right?”

“Yes,” I said. “Everybody does. You can’t fight a war with old people, yet you recruit them. You have to have some way to make them young again.”

“How do you think we do it?” Dr. Russell asked.

“I don’t know,” I said. “Gene therapy. Cloned replacement parts. You’d swap out old parts somehow and put in new ones.”

“You’re half right,” Dr. Russell said. “We do use gene therapy and cloned replacements. But we don’t ‘swap out’ anything, except you.”

“I don’t understand,” I said. I felt very cold, like reality was being tugged out from under my feet.

“Your body is old, Mr. Perry. It’s old and it won’t work for much longer. There’s no point in trying to save it or upgrade it. It’s not something that gains value when it ages or has replaceable parts that keep it running like new. All a human body does when it gets older is get old. So we’re going to get rid of it. We’re getting rid of it all. The only part of you that we’re going to save is the only part of you that hasn’t decayed—your mind, your consciousness, your sense of self.”

Dr. Russell walked over to the far door, where the Colonials had exited, and rapped on it. Then he turned back to me. “Take a good look at your body, Mr. Perry,” he said. “Because you’re about to say good-bye to it. You’re going somewhere else.”

“Where am I going, Dr. Russell?” I asked. I could barely make enough spit to talk.

“You’re going here,” he said, and opened the door.

From the other side, the Colonials came back in. One of them was pushing a wheelchair with someone in it. I craned my head to take a look. And I began to shake.

It was me.

Fifty years ago.

“Now, I want you to relax,” Dr. Russell said to me.

The Colonials had wheeled the younger me to the other crèche and were in the process of placing the body into it. It or he or I or whatever offered no resistance; they might as well have been moving someone in a coma. Or a corpse. I was fascinated. And horrified. A small little voice in my brain told me it was good I had gone to the bathroom before I came in, or otherwise I’d be peeing down my leg.

“How—” I began, and I choked. My mouth was too dry to talk. Dr. Russell spoke to one of the Colonials, who left and returned with a small cup of water. Dr. Russell held the cup as he gave the water to me, which was good, because I don’t think I could have managed to grip it. He spoke to me as I drank.

“‘How’ is usually attached to one of two questions,” he said. “The first is, How did you make a younger version of me? The answer to that is that ten years ago we took a genetic sample and used that to make your new body.” He took the cup away.

“A clone,” I said, finally.

“No,” Dr. Russell said. “Not exactly. The DNA has been heavily modified. You can see the most obvious difference—your new body’s skin.”

I looked back over and realized that in the shock of seeing a younger version of me, I missed a rather obvious and glaring difference.

“He’s green,” I said.

“You’re green, you mean,” Dr. Russell said. “Or will be in about five minutes. So that’s one ‘how’ question. The second one is, How do you get me into there?” He pointed to my green-skinned doppelganger. “And the answer to that is, we’re transferring your consciousness.”

“How?” I asked.

“We take the representation of brain activity that’s tracked by your sensor array and send it—and you—over there,” Dr. Russell said. “We’ve taken the brain pattern information we’ve collected over the last couple of days and used it to prepare your new brain for your consciousness, so when we send you over, things will look familiar. I’m giving you the simplified version of things, obviously; it’s vastly more complicated. But it’ll do for right now. Now, let’s get you plugged in.”

Dr. Russell reached up and began to maneuver the crèche’s arm over my head. I started to move my head away, so he stopped. “We’re not putting anything in this time, Mr. Perry,” he said. “The injector cap has been replaced with a signal amplifier. There’s nothing to worry about.”

“Sorry,” I said, and moved my head back into position.

“Don’t be,” Dr. Russell said, and fit the cap over my skull. “You’re taking this better than most recruits. The guy before you screamed like a pig and fainted. We had to transfer him over unconscious. He’s going to wake up young and green and very, very disturbed. Trust me, you’re a doll.”

I smiled, and glanced over to the body that would soon be me. “Where’s his cap?” I asked.

“Doesn’t need one,” Dr. Russell said, and began tapping his PDA. “Like I said, this body’s been heavily modified.”

“That sounds ominous,” I said.

“You’ll feel differently once you’re inside.” Dr. Russell finished playing with his PDA and turned back to me. “Okay, we’re ready. Let me tell you what’s going to happen next.”

“Please,” I said.

He turned the PDA around. “When I press this button”—he indicated a button on the screen—”your sensor array will begin transmitting your brain activity into the amplifier. Once your brain activity is sufficiently mapped, I’ll connect this crèche to a specialized computer bank. At the same time, a similar connection will be opened to your new brain over there. When the connections check out, we’ll broadcast your consciousness into your new brain. When the brain activity takes hold in your new brain, we’ll sever the connection, and there you are, in your new brain and body. Any questions?”

“Does this procedure ever fail?” I asked.

“You would ask that question,” Dr. Russell said. “The answer is yes. On rare occasions something can go wrong. However, it’s extremely rare. I’ve been doing this for twenty years—thousands of transfers—and I’ve lost someone only once. The woman had a massive stroke during the transfer process. Her brain patterns became chaotic and consciousness didn’t transfer. Everyone else made it through fine.”

“So as long as I don’t actually die, I’ll live,” I said.

“An interesting way to put it. But yes, that’s about right.”

“How do you know when consciousness has transferred?”

“We’ll know it through here”—Dr. Russell tapped the side of his PDA—”and we’ll know it because you’ll tell us. Trust me, you’ll know when you’ve made the transfer.”

“How do you know?” I asked. “Have you ever done this? Been transferred?”

Dr. Russell smiled. “Actually, yes,” he said. “Twice, in fact.”

“But you’re not green,” I said.

“That’s the second transfer. You don’t have to stay green forever,” he said, almost wistfully. Then he blinked and looked at his PDA again. “I’m afraid we have to cut the questions short now, Mr. Perry, since I have several more recruits to transfer after you. Are you ready to begin?”

“Hell no, I’m not ready,” I said. “I’m so scared my bowels are about to cut out.”

“Then let me rephrase,” Dr. Russell said. “Are you ready to get it over with?”

“God, yes,” I said.

“Then let’s get to it,” Dr. Russell said, and tapped the screen of his PDA.

The crèche gave a slight thunk as something physically switched on inside it. I glanced over to Dr. Russell. “The amplifier,” he said. “This part will take about a minute.”

I grunted acknowledgment and looked over to my new me. It was cradled in the crèche, motionless, like a wax figurine that someone had spilled green coloring into during the casting process. It looked like I did so long ago—better than I did, actually. I wasn’t the most athletic young adult on the block. This version of me looked like he was muscled like a competitive swimmer. And it had a great head of hair.

I couldn’t even imagine being in that body.

“We’re at full resolution,” Dr. Russell said. “Opening connection.” He tapped his PDA.

There was a slight jolt, and then it suddenly felt like there was a big, echoey room in my brain. “Whoa,” I said.

“Echo chamber?” Dr. Russell asked. I nodded. “That’s the computer bank,” he said. “Your consciousness is perceiving the small time lag between there and here. It’s nothing to worry about. Okay, opening connection between the new body and the computer bank.” Another PDA tap.

From across the room, the new me opened his eyes.

“I did that,” Dr. Russell said.

“He’s got cat’s eyes,” I said.

“You’ve got cat’s eyes,” Dr. Russell said. “Both connections are clear and noise-free. I’m going to start the transfer now. You’re going to feel a little disoriented.” A PDA tap—

—and I fell

waaaaaaaaaaaaay down

(and felt like I was being pressed hard through a fine mesh mattress)

and all the memories I ever had hit me in the face like a runaway brick wall

one clear flash of standing at the altar

watching kathy walk down the aisle

seeing her foot catch the front of her gown

a small stutter in her step

then she corrected beautifully

smiled up at me as if to say

yeah like that’s going to stop me

*another flash of kathy where the hell did i put the vanilla and then the clatter of the mixing bowl hitting kitchen tile*

(god damn it kathy)

And then I’m me again, staring into Dr. Russell’s room feeling dizzy and looking straight at Dr. Russell’s face and also the back of his head and thinking to myself, Damn, that’s a neat trick, and it seems like I just had that thought in stereo.

And it hits me. I’m in two places at the same time.

I smile and see the old me and the new me smile simultaneously.

“I’m breaking the laws of physics,” I say to Dr. Russell from two mouths.

And he says, “You’re in.”

And then he taps that goddamned PDA of his.

And there’s just one of me again.

The other me. I can tell because I’m no longer staring at the new me anymore, I’m looking at the old me.

And it stares at me like it knows something truly strange has just happened.

And then the stare seems to say, I’m no longer needed.

And then it closes its eyes.

“Mr. Perry,” Dr. Russell said, and then repeated it, and then lightly slapped me on the cheek.

“Yes,” I said. “I’m here. Sorry.”

“What’s your full name, Mr. Perry?”

I thought about it for a second. Then, “John Nicholas Perry.”

“What’s your birthday?”

“June tenth.”

“What was the name of your second-grade teacher?”

I looked directly at Dr. Russell. “Christ, man. I couldn’t even remember that when I was in my old body.”

Dr. Russell smiled. “Welcome to your new life, Mr. Perry. You made it through with flying colors.” He unlatched the door to the crèche and opened it wide. “Come out of there, please.”

I placed my hands—my green hands—on the side of the crèche and pushed outward. I placed my right foot forward and staggered a little bit. Dr. Russell came up beside me and steadied me. “Careful,” he said. “You’ve been an older man for a while. It’s going to take you a little bit of time to remember how to be in a young body.”

“What do you mean?” I said.

“Well,” he said. “For one thing, you can straighten up.”

He was right. I was stooped slightly (kids, drink your milk). I straightened up, and took another step forward. And another. Good news, I remembered how to walk. I cracked a grin like a schoolboy as I paced in the room.

“How do you feel?” Dr. Russell asked.

“I feel young,” I said, only a little joyously.

“You should,” Dr. Russell said. “This body has a biological age of twenty. It’s actually younger than that, but we can grow them fast these days.”

I jumped experimentally and felt like I bounced halfway back to Earth. “I’m not even old enough to drink anymore,” I said.

“You’re still seventy-five inside,” Dr. Russell said.

At that I stopped my little jumping and walked over to my old body, resting in the crèche. It looked sad and sagged, like an old suitcase. I reached out to touch my old face. It was warm, and I felt breath. I recoiled.

“It’s still alive,” I said, backing away.

“It’s brain dead,” Dr. Russell said quickly. “All your cognitive functions made the transfer. Once they had, I shut down this brain. It’s running on autopilot—breathing and pumping blood, but nothing more and that only provisionally. Left on its own, it’ll be dead within a few days.”

I crept back to my old body. “What’s going to happen to it?” I asked.

“We’ll store it in the short term,” Dr. Russell said. “Mr. Perry, I hate to rush you, but it’s time for you to return to your quarters so I can continue my work with other recruits. We have quite a few to get through before noon.”

“I have some questions about this body,” I said.

“We have a brochure,” Dr. Russell said. “I’ll have it downloaded into your PDA.”

“Gee, thanks,” I said.

“Not at all,” Dr. Russell said, and nodded toward the Colonials. “These men will escort you back to your quarters. Congratulations again.”

I walked over to the Colonials, and we turned to go. Then I stopped. “Wait,” I said. “I forgot something.” I walked over to my old body again, still in the crèche. I looked over to Dr. Russell and pointed to the door. “I need to unlock this,” I said. Dr. Russell nodded. I unlocked it, opened it, and took my old body’s left hand. On the ring finger was a simple gold band. I slipped it off and slipped it on my ring finger. Then I cupped my old face with my new hands.

“Thank you,” I said to me. “Thank you for everything.”

Then I went out with the Colonials.

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Progress Report

Things have been very busy. Writing the new hard science fiction story again and will likely double my daily writing output soon. Also: the final editing pass of the military science fiction story is drawing to a close, although I am still in the process of finalizing its cover. Will share more details about this fourth novel in the coming weeks.

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Currently Reading…

Annihilation, by Jeff VanderMeer.

The premise: on an Earth much like our own, a foreign presense bleeds through the local fabric of reality, creating the mysterious Area X. Government expeditions sent inside of its boundary find a land reclaimed by nature, along with subtle alien changes almost beyond human comprehension. However, prolonged exposure to this strange new environment brings about a host of maladies, including aggresive cancer, madness, and eventually death. A twelfth expedition is sent, and the unknown begins…

Incredible. This is not a story for everyone, but for those who love creeping horror and cryptic phenomena it comes highly recommended.

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Progress Report

Writing the new fantasy story again, which is coming along well. This one is quite different. Editing of the military science fiction novel is still progressing for its release next month, and work on the cover proceeds. Will be switching gears slightly after this release, adding more side content and working on the site for a couple of months. Excited to begin phase 2 🙂

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Favorite Passages in Literature…

The Last Unicorn, by Peter S. Beagle

This book is set in a magical past almost forgotten by its own people. Within an untouched lilac wood far off the beaten path, a lone unicorn lives its days in immortal certainty of the world around her, and her own place in it. Then hunters appear, and she hears troubling news: she may be the last member of her kind. A grand journey to find the truth begins, introducing butterflies that speak in silly riddles, a travelling show of illusioned beasts, bandits, knights, knaves, princes, princesses, and legendary figures who may or may not live up to their reputation. 

Early on, the unicorn is caught unawares by the travelling show and held against her will inside a cage of cruel iron bars. She soon finds the show’s members to be a strange, sad, and more dangerous collection than expected…

(pg. 24)

The nine black wagons of the Midnight Carnival seemed smaller by daylight and not menacing at all, but flimsy and fragile as dead leaves. Their draperies were gone, and they were now adorned with sad black banners cut from blankets, and stubby black ribbons that twitched in the breeze. They were arranged strangely in a scrubby field: a pentacle of cages enclosing a triangle, and Mommy Fortuna’s wagon lumping in the center. This cage alone retained its black veil, concealing whatever it contained. Mommy Fortuna was nowhere to be seen.

The man named Rukh was leading a straggling crowd of country folk slowly from one cage to the next, commenting somberly on the beasts within. “This here’s the manticore. Man’s head, lion’s body, tail of a scorpion. Captured at midnight, eating werewolves to sweeten its breath. Creatures of night, brought to light. Here’s the dragon. Breathes fire now and then — usually at people who poke it, little boy. Its inside is an inferno, but its skin is so cold it burns. The dragon speaks seventeen languages badly, and is subject to gout. The satyr. Ladies keep back. A real troublemaker. Captured under curious circumstances revealed to gentlemen only, for a token fee after the show. Creatures of night.”

Standing by the unicorn’s cage, which was one of the inner three, the tall magician watched the procession proceeding around the pentacle. “I shouldn’t be here,” he said to the unicorn. “The old woman warned me to stay away from you.” He chuckled pleasantly. “She has mocked me from the day I joined her, but I have made her nervous all that time.”

The unicorn hardly heard him. She turned and turned in her prison, her body shrinking from the touch of the iron bars all around her. No creature of man’s night loves cold iron, and while the unicorn could endure its presence, the murderous smell of it seemed to turn her bones to sand and her blood to rain. The bars of her cage must have had some sort of spell on them, for they never stopped whispering evilly to one another in clawed, pattering voices. The heavy lock giggled and whined like a mad monkey.

“Tell me what you see,” said the magician, as Mommy Fortuna had said it to him. “Look at your fellow legends and tell me what you see.”

Rukh’s iron voice came clanging through the wan afternoon. “Gatekeeper of the underworld. Three heads and a healthy coat of vipers, as you can see. Last seen aboveground in the time of Hercules, who dragged him up under one arm. But we lured him to light again with promises of a better life. Cerberus. Look at those six cheated red eyes. You may look into them again one day. This way to the Midgard Serpent. This way.”

The unicorn stared through the bars at the animal in the cage. Her eyes were wide with disbelief. “It’s only a dog,” she whispered. “It’s a hungry, unhappy dog with only one head and hardly any coat at all, the poor thing. How could they ever take it for Cerberus? Are they all blind?”

“Look again,” the magician said.

“And the satyr,” the unicorn continued. “The satyr is an ape, an old ape with a twisted foot. The dragon is a crocodile, much more likely to breathe fish than fire. And the great manticore is a lion — a perfectly good lion, but no more monstrous than the others. I don’t understand.”

“It’s got the whole world in its coils,” Rukh was droning. And once more the magician said, “Look again.”

Then, as though her eyes were getting used to darkness, the unicorn began to perceive a second figure in each cage. They loomed hugely over the captives of the Midnight Carnival, and yet they were joined to them: stormy dreams sprung from a grain of truth. So there was a manticore — famine-eyed, slobber-mouthed, roaring, curving his deadly tail over his back until the poison spine lolled and nodded just above his ear — and there was a lion too, tiny and absurd by comparison. Yet they were the same creature. The unicorn stamped in wonder.

It was so in all the other cages. The shadow-dragon opened his mouth and hissed harmless fire to make the gapers gasp and cringe, while Hell’s snake-furred watchdog howled triple dooms and devastations down on his betrayers, and the satyr limped leering to the bars and beckoned young girls to impossible delights, right there in public. As for the crocodile, the ape, and the sad dog, they faded steadily before the marvelous phantoms until they were only shadows themselves, even to the unicorn’s undeceived eyes. “This is a strange sorcery,” she said softly. “There’s more meaning than magic to this.”

The magician laughed with pleasure and great relief. “Well said, well said indeed. I knew the old horror wouldn’t dazzle you with her twopenny spells.” His voice grew hard and secret. “She’s made her third mistake now,” he said, “and that’s at least two too many for a tired old trickster like herself. The time draws near.”

“The time draws near,” Rukh was telling the crowd, as though he had overheard the magician. “Ragnarok. On that day, when the gods fall, the Serpent of the Midgard will spit a storm of venom at great Thor himself, till he tumbles over like a poisoned fly. And so he waits for Judgment Day, and dreams about the part he’ll play. It may be so — I couldn’t say. Creatures of night, brought to light.”

The cage was filled with snake. There was no head to it, and no tail — nothing but a wave of tarnished darkness rolling from one end of the cage to the other, leaving no room for anything but its own thunderous breathing. Only the unicorn saw, coiled in a corner, a baleful boa; brooding, perhaps, over its own Judgment on the Midnight Carnival. But it was tiny and dim as the ghost of a worm in the Serpent’s shadow.

A wondering gawk stuck up his hand and demanded of Rukh, “If this big snake do be coiled around the world, as you say, how come you to be having a piece of it in your wagon? And if it can shatter the sea just by stretching of itself, what’s to keep it from crawling off wearing your whole show like a necklace?” There were murmurs of agreement, and some of the murmurers began to back warily away.

“I’m glad you asked me that, friend,” Rukh said with a scowl. “It just so happens that the Midgard Serpent exists in like another space from ours, another dimension. Normally, therefore, he’s invisible, but dragged into our world — as Thor hooked him once — he shows clear as lightning, which also visits us from somewhere else, where it might look quite different. And naturally he might turn nasty if he knew that a bit of his tummy slack was on view daily and Sundays in Mommy Fortuna’s Midnight Carnival. But he don’t know. He’s got other things to think about than what becomes of his belly button, and we take our chances — as do you all — on his continued tranquillity.” He rolled and stretched the last word like dough, and his hearers laughed carefully.

“Spells of seeming,” the unicorn said. “She cannot make things.”

“Nor truly change them,” added the magician. “Her shabby skill lies in disguise. And even that knack would be beyond her, if it weren’t for the eagerness of those gulls, those marks, to believe whatever comes easiest. She can’t turn cream into butter, but she can give a lion the semblance of a manticore to eyes that want to see a manticore there — eyes that would take a real manticore for a lion, a dragon for a lizard, and the Midgard Serpent for an earthquake. And a unicorn for a white mare.”

The unicorn halted in her slow, desperate round of the cage, realizing for the first time that the magician understood her speech. He smiled, and she saw that his face was frighteningly young for a grown man — untraveled by time, unvisited by grief or wisdom. “I know you,” he said.

The bars whispered wickedly between them. Rukh was leading the crowd to the inner cages now. The unicorn asked the tall man, “Who are you?”

“I am called Schmendrick the Magician,” he answered. “You won’t have heard of me.”

The unicorn came very near to explaining that it was hardly for her to have heard of one wizard or another, but something sad and valiant in his voice kept her from it. The magician said, “I entertain the sightseers as they gather for the show. Miniature magic, sleight of hand — flowers to flags and flags to fish, all accompanied by persuasive patter and a suggestion that I could work more ominous wonders if I chose. It’s not much of a job, but I’ve had worse, and I’ll have better one day. This is not the end.”

But the sound of his voice made the unicorn feel as though she were trapped forever, and once more she began pacing her cage, moving to keep her heart from bursting with the terror of being closed in. Rukh was standing before a cage that contained nothing but a small brown spider weaving a modest web across the bars. “Arachne of Lydia,” he told the crowd. “Guaranteed the greatest weaver in the world — her fate’s the proof of it. She had the bad luck to defeat the goddess Athena in a weaving contest. Athena was a sore loser, and Arachne is now a spider, creating only for Mommy Fortuna’s Midnight Carnival, by special arrangement. Warp of snow and woof of flame, and never any two the same. Arachne.”

Strung on the loom of iron bars, the web was very simple and almost colorless, except for an occasional rainbow shiver when the spider scuttled out on it to put a thread right. But it drew the onlookers’ eyes — and the unicorn’s eyes as well — back and forth and steadily deeper, until they seemed to be looking down into great rifts in the world, black fissures that widened remorselessly and yet would not fall into pieces as long as Arachne’s web held the world together. The unicorn shook herself free with a sigh, and saw the real web again. It was very simple, and almost colorless.

“It isn’t like the others,” she said.

“No,” Schmendrick agreed grudgingly. “But there’s no credit due to Mommy Fortuna for that. You see, the spider believes. She sees those cat’s-cradles herself and thinks them her own work. Belief makes all the difference to magic like Mommy Fortuna’s. Why, if that troop of witlings withdrew their wonder, there’d be nothing left of all her witchery but the sound of a spider weeping. And no one would hear it.”

The unicorn did not want to look into the web again. She glanced at the cage closest to her own, and suddenly felt the breath in her body turning to cold iron. There sat on an oaken perch a creature with the body of a great bronze bird and a hag’s face, clenched and deadly as the talons with which she gripped the wood. She had the shaggy round ears of a bear; but down her scaly shoulders, mingling with the bright knives of her plumage, there fell hair the color of moonlight, thick and youthful around the hating human face. She glittered, but to look at her was to feel the light going out of the sky. Catching sight of the unicorn, she made a queer sound like a hiss and a chuckle together.

The unicorn said quietly, “This one is real. This is the harpy Celaeno.”

Schmendrick’s face had gone the color of oatmeal. “The old woman caught her by chance,” he whispered, “asleep, as she took you. But it was an ill fortune, and they both know it. Mommy Fortuna’s craft is just sure enough to hold the monster, but its mere presence is wearing all her spells so thin that in a little time she won’t have power enough left to fry an egg. She should never have done it, never meddled with a real harpy, a real unicorn. The truth melts her magic, always, but she cannot keep from trying to make it serve her. But this time –”

“Sister of the rainbow, believe it or not,” they heard Rukh braying to the awed onlookers. “Her name means ‘the Dark One,’ the one whose wings blacken the sky before a storm. She and her two sweet sisters nearly starved the king Phineus to death by snatching and befouling his food before he could eat it. But the sons of the North Wind made them quit that, didn’t they, my beauty?” The harpy made no sound, and Rukh grinned like a cage himself.

“She put up a fiercer fight than all the others put together,” he went on. “It was like trying to bind all hell with a hair, but Mommy Fortuna’s powers are great enough even for that. Creatures of night, brought to light. Polly want a cracker?” Few in the crowd laughed. The harpy’s talons tightened on her perch until the wood cried out.

“You’ll need to be free when she frees herself,” the magician said. “She mustn’t catch you caged.”

“I dare not touch the iron,” the unicorn replied. “My horn could open the lock, but I cannot reach it. I cannot get out.” She was trembling with horror of the harpy, but her voice was quite calm.

Schmendrick the Magician drew himself up several inches taller than the unicorn would have thought possible. “Fear nothing,” he began grandly. “For all my air of mystery, I have a feeling heart.” But he was interrupted by the approach of Rukh and his followers, grown quieter than the grubby gang who had giggled at the manticore. The magician fled, calling back softly, “Don’t be afraid, Schmendrick is with you. Do nothing till you hear from me!” His voice drifted to the unicorn, so faint and lonely that she was not sure whether she actually heard it or only felt it brush against her.

It was growing dark. The crowd stood in front of her cage, peering in at her with a strange shyness. Rukh said, “The unicorn,” and stepped aside.

She heard hearts bounce, tears brewing, and breath going backward, but nobody said a word. By the sorrow and loss and sweetness in their faces she knew that they recognized her, and she accepted their hunger as her homage. She thought of the hunter’s great-grandmother, and wondered what it must be like to grow old, and to cry.

“Most shows,” said Rukh after a time, “would end here, for what could they possibly present after a genuine unicorn? But Mommy Fortuna’s Midnight Carnival holds one more mystery yet — a demon more destructive than the dragon, more monstrous than the manticore, more hideous than the harpy, and certainly more universal than the unicorn.” He waved his hand toward the last wagon and the black hangings began to wriggle open, though there was no one pulling them. “Behold her!” Rukh cried. “Behold the last, the Very End! Behold Elli!”

Inside the cage, it was darker than the evening, and cold stirred behind the bars like a live thing. Something moved in the cold, and the unicorn saw Elli — an old, bony, ragged woman who crouched in the cage rocking and warming herself before a fire that was not there. She looked so frail that the weight of the darkness should have crushed her, and so helpless and alone that the watchers should have rushed forward in pity to free her. Instead, they began to back silently away, for all the world as though Elli were stalking them. But she was not even looking at them. She sat in the dark and creaked a song to herself in a voice that sounded like a saw going through a tree, and like a tree getting ready to fall.

“What is plucked will grow again, What is slain lives on, What is stolen will remain — What is gone is gone.”

“She doesn’t look like much, does she?” Rukh asked. “But no hero can stand before her, no god can wrestle her down, no magic can keep her out — or in, for she’s no prisoner of ours. Even while we exhibit her here, she is walking among you, touching and taking. For Elli is Old Age.”

The cold of the cage reached out to the unicorn, and whereever it touched her she grew lame and feeble. She felt herself withering, loosening, felt her beauty leaving her with her breath. Ugliness swung from her mane, dragged down her head, stripped her tail, gaunted her body, ate up her coat, and ravaged her mind with remembrance of what she had once been. Somewhere nearby, the harpy made her low, eager sound, but the unicorn would gladly have huddled in the shadow of her bronze wings to hide from this last demon. Elli’s song sawed away at her heart.

“What is sea-born dies on land, Soft is trod upon. What is given burns the hand — What is gone is gone.”

The show was over. The crowd was stealing away, no one alone but in couples and fews and severals, strangers holding strangers’ hands, looking back often to see if Elli were following. Rukh called plaintively, “Won’t the gentlemen wait to hear the story about the satyr?” and sent a sour yowl of laughter chasing their slow flight. “Creatures of night, brought to light!” They struggled through the stiffening air, past the unicorn’s cage, and on away, with Rukh’s laughter yapping them home, and Elli still singing.

This is illusion, the unicorn told herself. This is illusion — and somehow raised a head heavy with death to stare deep into the dark of the last cage and see, not Old Age, but Mommy Fortuna herself, stretching and snickering and clambering to the ground with her old eerie ease. And the unicorn knew then that she had not become mortal and ugly at all, but she did not feel beautiful again. Perhaps that was illusion too, she thought wearily.

“I enjoyed that,” Mommy Fortuna said to Rukh. “I always do. I guess I’m just stagestruck at heart.”

“You better check on that damn harpy,” Rukh said. “I could feel her working loose this time. It was like I was a rope holding her, and she was untying me.” He shuddered and lowered his voice. “Get rid of her,” he said hoarsely. “Before she scatters us across the sky like bloody clouds. She thinks about it all the time. I can feel her thinking about it.”

“Fool, be still!” The witch’s own voice was fierce with fear. “I can turn her into wind if she escapes, or into snow, or into seven notes of music. But I choose to keep her. No other witch in the world holds a harpy captive, and none ever will. I would keep her if I could do it only by feeding her a piece of your liver every day.”

“Oh, that’s nice,” Rukh said. He sidled away from her. “What if she only wanted your liver?” he demanded. “What would you do then?”

“Feed her yours anyway,” Mommy Fortuna said. “She wouldn’t know the difference. Harpies aren’t bright.”

Alone in the moonlight, the old woman glided from cage to cage, rattling locks and prodding her enchantments as a housewife squeezes melons in the market. When she came to the harpy’s cage the monster made a sound as shrill as a spear, and spread the horrid glory of its wings. For a moment it seemed to the unicorn that the bars of the cage began to wriggle and run like rain; but Mommy Fortuna crackled her twiggy fingers and the bars were iron again, and the harpy sank down on its perch, waiting.

“Not yet,” the witch said. “Not yet.”

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Progress Report

Making some changes to the back half of the new science fiction story, which is moving into more action and intrigue. Editing of the military science fiction story to be released late May is now halfway complete. Also: editing of the Übermensch 3rd Edition continues, and it is still on track for release April 29th 🙂

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Currently Reading…

The World of Ice and Fire, by George R.R Martin, Elio Garcia, and Linda Antonsson.

The premise: a learned historian has decided to write a full accounting of Westeros history from the earliest known records of the Dawn Age to the current era of rule by the fierce warrior King Robert Baratheon. Great attention to detail is paid not only to the broad strokes, but also the minor turns, including a thorough accounting of the oft mentioned “Dance of the Dragons”.

I was hoping for more Silmarillion and less Encyclopedia Brittanica, but judged purely as a history of the Seven Kingdoms it has been a solid read thus far.

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Progress Report

Starting to find a groove again writing the new science fiction story, which is about halfway finished. Editing of the military science fiction story is going well, but the narrative is complex and there is a solid amount of work left, along with finalizing the book cover. Also: the Übermensch 3rd Edition is nearing completion. More to share soon.

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