Currently Reading…

Annihilation, by Jeff VanderMeer.

The premise: on an Earth much like our own, a foreign presense bleeds through the local fabric of reality, creating the mysterious Area X. Government expeditions sent inside of its boundary find a land reclaimed by nature, along with subtle alien changes almost beyond human comprehension. However, prolonged exposure to this strange new environment brings about a host of maladies, including aggresive cancer, madness, and eventually death. A twelfth expedition is sent, and the unknown begins…

Incredible. This is not a story for everyone, but for those who love creeping horror and cryptic phenomena it comes highly recommended.

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Progress Report

Writing the new fantasy story again, which is coming along well. This one is quite different. Editing of the military science fiction novel is still progressing for its release next month, and work on the cover proceeds. Will be switching gears slightly after this release, adding more side content and working on the site for a couple of months. Excited to begin phase 2 🙂

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Favorite Passages in Literature…

The Last Unicorn, by Peter S. Beagle

This book is set in a magical past almost forgotten by its own people. Within an untouched lilac wood far off the beaten path, a lone unicorn lives its days in immortal certainty of the world around her, and her own place in it. Then hunters appear, and she hears troubling news: she may be the last member of her kind. A grand journey to find the truth begins, introducing butterflies that speak in silly riddles, a travelling show of illusioned beasts, bandits, knights, knaves, princes, princesses, and legendary figures who may or may not live up to their reputation. 

Early on, the unicorn is caught unawares by the travelling show and held against her will inside a cage of cruel iron bars. She soon finds the show’s members to be a strange, sad, and more dangerous collection than expected…

(pg. 24)

The nine black wagons of the Midnight Carnival seemed smaller by daylight and not menacing at all, but flimsy and fragile as dead leaves. Their draperies were gone, and they were now adorned with sad black banners cut from blankets, and stubby black ribbons that twitched in the breeze. They were arranged strangely in a scrubby field: a pentacle of cages enclosing a triangle, and Mommy Fortuna’s wagon lumping in the center. This cage alone retained its black veil, concealing whatever it contained. Mommy Fortuna was nowhere to be seen.

The man named Rukh was leading a straggling crowd of country folk slowly from one cage to the next, commenting somberly on the beasts within. “This here’s the manticore. Man’s head, lion’s body, tail of a scorpion. Captured at midnight, eating werewolves to sweeten its breath. Creatures of night, brought to light. Here’s the dragon. Breathes fire now and then — usually at people who poke it, little boy. Its inside is an inferno, but its skin is so cold it burns. The dragon speaks seventeen languages badly, and is subject to gout. The satyr. Ladies keep back. A real troublemaker. Captured under curious circumstances revealed to gentlemen only, for a token fee after the show. Creatures of night.”

Standing by the unicorn’s cage, which was one of the inner three, the tall magician watched the procession proceeding around the pentacle. “I shouldn’t be here,” he said to the unicorn. “The old woman warned me to stay away from you.” He chuckled pleasantly. “She has mocked me from the day I joined her, but I have made her nervous all that time.”

The unicorn hardly heard him. She turned and turned in her prison, her body shrinking from the touch of the iron bars all around her. No creature of man’s night loves cold iron, and while the unicorn could endure its presence, the murderous smell of it seemed to turn her bones to sand and her blood to rain. The bars of her cage must have had some sort of spell on them, for they never stopped whispering evilly to one another in clawed, pattering voices. The heavy lock giggled and whined like a mad monkey.

“Tell me what you see,” said the magician, as Mommy Fortuna had said it to him. “Look at your fellow legends and tell me what you see.”

Rukh’s iron voice came clanging through the wan afternoon. “Gatekeeper of the underworld. Three heads and a healthy coat of vipers, as you can see. Last seen aboveground in the time of Hercules, who dragged him up under one arm. But we lured him to light again with promises of a better life. Cerberus. Look at those six cheated red eyes. You may look into them again one day. This way to the Midgard Serpent. This way.”

The unicorn stared through the bars at the animal in the cage. Her eyes were wide with disbelief. “It’s only a dog,” she whispered. “It’s a hungry, unhappy dog with only one head and hardly any coat at all, the poor thing. How could they ever take it for Cerberus? Are they all blind?”

“Look again,” the magician said.

“And the satyr,” the unicorn continued. “The satyr is an ape, an old ape with a twisted foot. The dragon is a crocodile, much more likely to breathe fish than fire. And the great manticore is a lion — a perfectly good lion, but no more monstrous than the others. I don’t understand.”

“It’s got the whole world in its coils,” Rukh was droning. And once more the magician said, “Look again.”

Then, as though her eyes were getting used to darkness, the unicorn began to perceive a second figure in each cage. They loomed hugely over the captives of the Midnight Carnival, and yet they were joined to them: stormy dreams sprung from a grain of truth. So there was a manticore — famine-eyed, slobber-mouthed, roaring, curving his deadly tail over his back until the poison spine lolled and nodded just above his ear — and there was a lion too, tiny and absurd by comparison. Yet they were the same creature. The unicorn stamped in wonder.

It was so in all the other cages. The shadow-dragon opened his mouth and hissed harmless fire to make the gapers gasp and cringe, while Hell’s snake-furred watchdog howled triple dooms and devastations down on his betrayers, and the satyr limped leering to the bars and beckoned young girls to impossible delights, right there in public. As for the crocodile, the ape, and the sad dog, they faded steadily before the marvelous phantoms until they were only shadows themselves, even to the unicorn’s undeceived eyes. “This is a strange sorcery,” she said softly. “There’s more meaning than magic to this.”

The magician laughed with pleasure and great relief. “Well said, well said indeed. I knew the old horror wouldn’t dazzle you with her twopenny spells.” His voice grew hard and secret. “She’s made her third mistake now,” he said, “and that’s at least two too many for a tired old trickster like herself. The time draws near.”

“The time draws near,” Rukh was telling the crowd, as though he had overheard the magician. “Ragnarok. On that day, when the gods fall, the Serpent of the Midgard will spit a storm of venom at great Thor himself, till he tumbles over like a poisoned fly. And so he waits for Judgment Day, and dreams about the part he’ll play. It may be so — I couldn’t say. Creatures of night, brought to light.”

The cage was filled with snake. There was no head to it, and no tail — nothing but a wave of tarnished darkness rolling from one end of the cage to the other, leaving no room for anything but its own thunderous breathing. Only the unicorn saw, coiled in a corner, a baleful boa; brooding, perhaps, over its own Judgment on the Midnight Carnival. But it was tiny and dim as the ghost of a worm in the Serpent’s shadow.

A wondering gawk stuck up his hand and demanded of Rukh, “If this big snake do be coiled around the world, as you say, how come you to be having a piece of it in your wagon? And if it can shatter the sea just by stretching of itself, what’s to keep it from crawling off wearing your whole show like a necklace?” There were murmurs of agreement, and some of the murmurers began to back warily away.

“I’m glad you asked me that, friend,” Rukh said with a scowl. “It just so happens that the Midgard Serpent exists in like another space from ours, another dimension. Normally, therefore, he’s invisible, but dragged into our world — as Thor hooked him once — he shows clear as lightning, which also visits us from somewhere else, where it might look quite different. And naturally he might turn nasty if he knew that a bit of his tummy slack was on view daily and Sundays in Mommy Fortuna’s Midnight Carnival. But he don’t know. He’s got other things to think about than what becomes of his belly button, and we take our chances — as do you all — on his continued tranquillity.” He rolled and stretched the last word like dough, and his hearers laughed carefully.

“Spells of seeming,” the unicorn said. “She cannot make things.”

“Nor truly change them,” added the magician. “Her shabby skill lies in disguise. And even that knack would be beyond her, if it weren’t for the eagerness of those gulls, those marks, to believe whatever comes easiest. She can’t turn cream into butter, but she can give a lion the semblance of a manticore to eyes that want to see a manticore there — eyes that would take a real manticore for a lion, a dragon for a lizard, and the Midgard Serpent for an earthquake. And a unicorn for a white mare.”

The unicorn halted in her slow, desperate round of the cage, realizing for the first time that the magician understood her speech. He smiled, and she saw that his face was frighteningly young for a grown man — untraveled by time, unvisited by grief or wisdom. “I know you,” he said.

The bars whispered wickedly between them. Rukh was leading the crowd to the inner cages now. The unicorn asked the tall man, “Who are you?”

“I am called Schmendrick the Magician,” he answered. “You won’t have heard of me.”

The unicorn came very near to explaining that it was hardly for her to have heard of one wizard or another, but something sad and valiant in his voice kept her from it. The magician said, “I entertain the sightseers as they gather for the show. Miniature magic, sleight of hand — flowers to flags and flags to fish, all accompanied by persuasive patter and a suggestion that I could work more ominous wonders if I chose. It’s not much of a job, but I’ve had worse, and I’ll have better one day. This is not the end.”

But the sound of his voice made the unicorn feel as though she were trapped forever, and once more she began pacing her cage, moving to keep her heart from bursting with the terror of being closed in. Rukh was standing before a cage that contained nothing but a small brown spider weaving a modest web across the bars. “Arachne of Lydia,” he told the crowd. “Guaranteed the greatest weaver in the world — her fate’s the proof of it. She had the bad luck to defeat the goddess Athena in a weaving contest. Athena was a sore loser, and Arachne is now a spider, creating only for Mommy Fortuna’s Midnight Carnival, by special arrangement. Warp of snow and woof of flame, and never any two the same. Arachne.”

Strung on the loom of iron bars, the web was very simple and almost colorless, except for an occasional rainbow shiver when the spider scuttled out on it to put a thread right. But it drew the onlookers’ eyes — and the unicorn’s eyes as well — back and forth and steadily deeper, until they seemed to be looking down into great rifts in the world, black fissures that widened remorselessly and yet would not fall into pieces as long as Arachne’s web held the world together. The unicorn shook herself free with a sigh, and saw the real web again. It was very simple, and almost colorless.

“It isn’t like the others,” she said.

“No,” Schmendrick agreed grudgingly. “But there’s no credit due to Mommy Fortuna for that. You see, the spider believes. She sees those cat’s-cradles herself and thinks them her own work. Belief makes all the difference to magic like Mommy Fortuna’s. Why, if that troop of witlings withdrew their wonder, there’d be nothing left of all her witchery but the sound of a spider weeping. And no one would hear it.”

The unicorn did not want to look into the web again. She glanced at the cage closest to her own, and suddenly felt the breath in her body turning to cold iron. There sat on an oaken perch a creature with the body of a great bronze bird and a hag’s face, clenched and deadly as the talons with which she gripped the wood. She had the shaggy round ears of a bear; but down her scaly shoulders, mingling with the bright knives of her plumage, there fell hair the color of moonlight, thick and youthful around the hating human face. She glittered, but to look at her was to feel the light going out of the sky. Catching sight of the unicorn, she made a queer sound like a hiss and a chuckle together.

The unicorn said quietly, “This one is real. This is the harpy Celaeno.”

Schmendrick’s face had gone the color of oatmeal. “The old woman caught her by chance,” he whispered, “asleep, as she took you. But it was an ill fortune, and they both know it. Mommy Fortuna’s craft is just sure enough to hold the monster, but its mere presence is wearing all her spells so thin that in a little time she won’t have power enough left to fry an egg. She should never have done it, never meddled with a real harpy, a real unicorn. The truth melts her magic, always, but she cannot keep from trying to make it serve her. But this time –”

“Sister of the rainbow, believe it or not,” they heard Rukh braying to the awed onlookers. “Her name means ‘the Dark One,’ the one whose wings blacken the sky before a storm. She and her two sweet sisters nearly starved the king Phineus to death by snatching and befouling his food before he could eat it. But the sons of the North Wind made them quit that, didn’t they, my beauty?” The harpy made no sound, and Rukh grinned like a cage himself.

“She put up a fiercer fight than all the others put together,” he went on. “It was like trying to bind all hell with a hair, but Mommy Fortuna’s powers are great enough even for that. Creatures of night, brought to light. Polly want a cracker?” Few in the crowd laughed. The harpy’s talons tightened on her perch until the wood cried out.

“You’ll need to be free when she frees herself,” the magician said. “She mustn’t catch you caged.”

“I dare not touch the iron,” the unicorn replied. “My horn could open the lock, but I cannot reach it. I cannot get out.” She was trembling with horror of the harpy, but her voice was quite calm.

Schmendrick the Magician drew himself up several inches taller than the unicorn would have thought possible. “Fear nothing,” he began grandly. “For all my air of mystery, I have a feeling heart.” But he was interrupted by the approach of Rukh and his followers, grown quieter than the grubby gang who had giggled at the manticore. The magician fled, calling back softly, “Don’t be afraid, Schmendrick is with you. Do nothing till you hear from me!” His voice drifted to the unicorn, so faint and lonely that she was not sure whether she actually heard it or only felt it brush against her.

It was growing dark. The crowd stood in front of her cage, peering in at her with a strange shyness. Rukh said, “The unicorn,” and stepped aside.

She heard hearts bounce, tears brewing, and breath going backward, but nobody said a word. By the sorrow and loss and sweetness in their faces she knew that they recognized her, and she accepted their hunger as her homage. She thought of the hunter’s great-grandmother, and wondered what it must be like to grow old, and to cry.

“Most shows,” said Rukh after a time, “would end here, for what could they possibly present after a genuine unicorn? But Mommy Fortuna’s Midnight Carnival holds one more mystery yet — a demon more destructive than the dragon, more monstrous than the manticore, more hideous than the harpy, and certainly more universal than the unicorn.” He waved his hand toward the last wagon and the black hangings began to wriggle open, though there was no one pulling them. “Behold her!” Rukh cried. “Behold the last, the Very End! Behold Elli!”

Inside the cage, it was darker than the evening, and cold stirred behind the bars like a live thing. Something moved in the cold, and the unicorn saw Elli — an old, bony, ragged woman who crouched in the cage rocking and warming herself before a fire that was not there. She looked so frail that the weight of the darkness should have crushed her, and so helpless and alone that the watchers should have rushed forward in pity to free her. Instead, they began to back silently away, for all the world as though Elli were stalking them. But she was not even looking at them. She sat in the dark and creaked a song to herself in a voice that sounded like a saw going through a tree, and like a tree getting ready to fall.

“What is plucked will grow again, What is slain lives on, What is stolen will remain — What is gone is gone.”

“She doesn’t look like much, does she?” Rukh asked. “But no hero can stand before her, no god can wrestle her down, no magic can keep her out — or in, for she’s no prisoner of ours. Even while we exhibit her here, she is walking among you, touching and taking. For Elli is Old Age.”

The cold of the cage reached out to the unicorn, and whereever it touched her she grew lame and feeble. She felt herself withering, loosening, felt her beauty leaving her with her breath. Ugliness swung from her mane, dragged down her head, stripped her tail, gaunted her body, ate up her coat, and ravaged her mind with remembrance of what she had once been. Somewhere nearby, the harpy made her low, eager sound, but the unicorn would gladly have huddled in the shadow of her bronze wings to hide from this last demon. Elli’s song sawed away at her heart.

“What is sea-born dies on land, Soft is trod upon. What is given burns the hand — What is gone is gone.”

The show was over. The crowd was stealing away, no one alone but in couples and fews and severals, strangers holding strangers’ hands, looking back often to see if Elli were following. Rukh called plaintively, “Won’t the gentlemen wait to hear the story about the satyr?” and sent a sour yowl of laughter chasing their slow flight. “Creatures of night, brought to light!” They struggled through the stiffening air, past the unicorn’s cage, and on away, with Rukh’s laughter yapping them home, and Elli still singing.

This is illusion, the unicorn told herself. This is illusion — and somehow raised a head heavy with death to stare deep into the dark of the last cage and see, not Old Age, but Mommy Fortuna herself, stretching and snickering and clambering to the ground with her old eerie ease. And the unicorn knew then that she had not become mortal and ugly at all, but she did not feel beautiful again. Perhaps that was illusion too, she thought wearily.

“I enjoyed that,” Mommy Fortuna said to Rukh. “I always do. I guess I’m just stagestruck at heart.”

“You better check on that damn harpy,” Rukh said. “I could feel her working loose this time. It was like I was a rope holding her, and she was untying me.” He shuddered and lowered his voice. “Get rid of her,” he said hoarsely. “Before she scatters us across the sky like bloody clouds. She thinks about it all the time. I can feel her thinking about it.”

“Fool, be still!” The witch’s own voice was fierce with fear. “I can turn her into wind if she escapes, or into snow, or into seven notes of music. But I choose to keep her. No other witch in the world holds a harpy captive, and none ever will. I would keep her if I could do it only by feeding her a piece of your liver every day.”

“Oh, that’s nice,” Rukh said. He sidled away from her. “What if she only wanted your liver?” he demanded. “What would you do then?”

“Feed her yours anyway,” Mommy Fortuna said. “She wouldn’t know the difference. Harpies aren’t bright.”

Alone in the moonlight, the old woman glided from cage to cage, rattling locks and prodding her enchantments as a housewife squeezes melons in the market. When she came to the harpy’s cage the monster made a sound as shrill as a spear, and spread the horrid glory of its wings. For a moment it seemed to the unicorn that the bars of the cage began to wriggle and run like rain; but Mommy Fortuna crackled her twiggy fingers and the bars were iron again, and the harpy sank down on its perch, waiting.

“Not yet,” the witch said. “Not yet.”

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Progress Report

Making some changes to the back half of the new science fiction story, which is moving into more action and intrigue. Editing of the military science fiction story to be released late May is now halfway complete. Also: editing of the Übermensch 3rd Edition continues, and it is still on track for release April 29th 🙂

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Currently Reading…

The World of Ice and Fire, by George R.R Martin, Elio Garcia, and Linda Antonsson.

The premise: a learned historian has decided to write a full accounting of Westeros history from the earliest known records of the Dawn Age to the current era of rule by the fierce warrior King Robert Baratheon. Great attention to detail is paid not only to the broad strokes, but also the minor turns, including a thorough accounting of the oft mentioned “Dance of the Dragons”.

I was hoping for more Silmarillion and less Encyclopedia Brittanica, but judged purely as a history of the Seven Kingdoms it has been a solid read thus far.

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Progress Report

Starting to find a groove again writing the new science fiction story, which is about halfway finished. Editing of the military science fiction story is going well, but the narrative is complex and there is a solid amount of work left, along with finalizing the book cover. Also: the Übermensch 3rd Edition is nearing completion. More to share soon.

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Favorite Passages in Literature…

The Hitchhiker’s Guide to the Galaxy, Douglas Adams

This book is a classic. First in a series, but more than satisfying enough to read on its own, it tells the story of one Arthur Dent, a delightfully ho hum everyman living a normal, everyday modern life until unexpected bureacratic disaster struck once in a minor way, then twice in a major, and entirely apocolyptic way. Irreverant, hilarious, and surprisingly wise, it presents a galaxy I’m sure most would be more than happy to visit, and perhaps even live in.

(pg. 2)

The house stood on a slight rise just on the edge of the village. It stood on its own and looked over a broad spread of West Country farmland. Not a remarkable house by any means, it was about thirty years old, squattish, squarish, made of brick, and had four windows set in the front of a size and proportion which more or less exactly failed to please the eye.

The only person for whom the house was in any way special was Arthur Dent, and that was only because it happened to be the one he lived in. He had lived in it for about three years, ever since he had moved out of London because it made him nervous and irritable. He was about thirty as well, dark-haired and never quite at ease with himself. The thing that used to worry him most was the fact that people always used to ask him what he was looking so worried about. He worked in local radio which he always used to tell his friends was a lot more interesting than they probably thought. It was, too, most of his friends worked in advertising.

It hadn’t properly registered with Arthur that the council wanted to knock down his house and build a bypass instead.

At eight o’clock on Thursday morning Arthur didn’t feel very good. He woke up blearily, got up, wandered blearily round his room, opened a window, saw a bulldozer, found his slippers, and stomped off to the bathroom to wash.

Toothpaste on the brush. Scrub. Shaving mirror pointing at the ceiling. He adjusted it. For a moment it reflected a second bulldozer through the bathroom window. Properly adjusted, it reflected Arthur Dent’s bristles. He shaved them off, washed, dried, and stomped off to the kitchen to find something pleasant to put in his mouth.

Kettle, plug, fridge, milk, coffee. Yawn.

The word bulldozer wandered through his mind for a moment in search of something to connect with.

The bulldozer outside the kitchen window was quite a big one.

He stared at it.

“Yellow,” he thought and stomped off back to his bedroom to get dressed.

Passing the bathroom he stopped to drink a large glass of water, and another. He began to suspect that he was hung over. Why was he hung over? Had he been drinking the night before? He supposed that he must have been. He caught a glint in the shaving mirror. “Yellow,” he thought and stomped on to the bedroom.

He stood and thought. The pub, he thought. Oh dear, the pub. He vaguely remembered being angry, angry about something that seemed important. He’d been telling people about it, telling people about it at great length, he rather suspected: his clearest visual recollection was of glazed looks on other people’s faces. Something about a new bypass he had just found out about. It had been in the pipeline for months only no one seemed to have known about it. Ridiculous. He took a swig of water. It would sort itself out, he’d decided, no one wanted a bypass, the council didn’t have a leg to stand on. It would sort itself out.

God what a terrible hangover it had earned him though. He looked at himself in the wardrobe mirror. He stuck out his tongue. “Yellow,” he thought. The word yellow wandered through his mind in search of something to connect with.

Fifteen seconds later he was out of the house and lying in front of a big yellow bulldozer that was advancing up his garden path.

Mr. L. Prosser was, as they say, only human. In other words he was a carbon-based life form descended from an ape. More specifically he was forty, fat and shabby and worked for the local council. Curiously enough, though he didn’t know it, he was also a direct male-line descendant of Genghis Khan, though intervening generations and racial mixing had so juggled his genes that he had no discernible Mongoloid characteristics, and the only vestiges left in Mr. L. Prosser of his mighty ancestry were a pronounced stoutness about the tum and a predilection for little fur hats.

He was by no means a great warrior: in fact he was a nervous worried man. Today he was particularly nervous and worried because something had gone seriously wrong with his job, which was to see that Arthur Dent’s house got cleared out of the way before the day was out.

“Come off it, Mr. Dent,”, he said, “you can’t win you know. You can’t lie in front of the bulldozer indefinitely.” He tried to make his eyes blaze fiercely but they just wouldn’t do it.

Arthur lay in the mud and squelched at him.

“I’m game,” he said, “we’ll see who rusts first.”

“I’m afraid you’re going to have to accept it,” said Mr. Prosser gripping his fur hat and rolling it round the top of his head, “this bypass has got to be built and it’s going to be built!”

“First I’ve heard of it,” said Arthur, “why’s it going to be built?”

Mr. Prosser shook his finger at him for a bit, then stopped and put it away again.

“What do you mean, why’s it got to be built?” he said. “It’s a bypass. You’ve got to build bypasses.”

Bypasses are devices which allow some people to drive from point A to point B very fast whilst other people dash from point B to point A very fast. People living at point C, being a point directly in between, are often given to wonder what’s so great about point A that so many people of point B are so keen to get there, and what’s so great about point B that so many people of point A are so keen to get there. They often wish that people would just once and for all work out where the hell they wanted to be.

Mr. Prosser wanted to be at point D. Point D wasn’t anywhere in particular, it was just any convenient point a very long way from points A, B and C. He would have a nice little cottage at point D, with axes over the door, and spend a pleasant amount of time at point E, which would be the nearest pub to point D. His wife of course wanted climbing roses, but he wanted axes. He didn’t know why he just liked axes. He flushed hotly under the derisive grins of the bulldozer drivers.

He shifted his weight from foot to foot, but it was equally uncomfortable on each. Obviously somebody had been appallingly incompetent and he hoped to God it wasn’t him.

Mr. Prosser said: “You were quite entitled to make any suggestions or protests at the appropriate time you know.”

“Appropriate time?” hooted Arthur. “Appropriate time? The first I knew about it was when a workman arrived at my home yesterday. I asked him if he’d come to clean the windows and he said no he’d come to demolish the house. He didn’t tell me straight away of course. Oh no. First he wiped a couple of windows and charged me a fiver. Then he told me.”

“But Mr. Dent, the plans have been available in the local planning office for the last nine months.”

“Oh yes, well as soon as I heard I went straight round to see them, yesterday afternoon. You hadn’t exactly gone out of your way to call attention to them had you? I mean like actually telling anybody or anything.”

“But the plans were on display . . .”

“On display? I eventually had to go down to the cellar to find them.”

“That’s the display department.”

“With a torch.”

“Ah, well the lights had probably gone.”

“So had the stairs.”

“But look, you found the notice didn’t you?”

“Yes,” said Arthur, “yes I did. It was on display in the bottom of a locked filing cabinet stuck in a disused lavatory with a sign on the door saying Beware of the Leopard.”

A cloud passed overhead. It cast a shadow over Arthur Dent as he lay propped up on his elbow in the cold mud. It cast a shadow over Arthur Dent’s house. Mr. Prosser frowned at it.

“It’s not as if it’s a particularly nice house,” he said.

“I’m sorry, but I happen to like it.”

“You’ll like the bypass.”

“Oh shut up,” said Arthur Dent. “Shut up and go away, and take your bloody bypass with you. You haven’t got a leg to stand on and you know it.”

Mr. Prosser’s mouth opened and closed a couple of times while his mind was for a moment filled with inexplicable but terribly attractive visions of Arthur Dent’s house being consumed with fire and Arthur himself running screaming from the blazing ruin with at least three hefty spears protruding from his back. Mr. Prosser was often bothered with visions like these and they made him feel very nervous. He stuttered for a moment and then pulled himself together.

“Mr. Dent,” he said.

“Hello? Yes?” said Arthur.

“Some factual information for you. Have you any idea how much damage that bulldozer would suffer if I just let it roll straight over you?”

“How much?” said Arthur.

“None at all,” said Mr. Prosser, and stormed nervously off wondering why his brain was filled with a thousand hairy horsemen all shouting at him.

By a curious coincidence, None at all is exactly how much suspicion the ape-descendant Arthur Dent had that one of his closest friends was not descended from an ape, but was in fact from a small planet in the vicinity of Betelgeuse and not from Guildford as he usually claimed.

Arthur Dent had never, ever suspected this.

This friend of his had first arrived on the planet some fifteen Earth years previously, and he had worked hard to blend himself into Earth societyÑwith, it must be said, some success. For instance he had spent those fifteen years pretending to be an out-of-work actor, which was plausible enough.

He had made one careless blunder though, because he had skimped a bit on his preparatory research. The information he had gathered had led him to choose the name “Ford Prefect” as being nicely inconspicuous.

He was not conspicuously tall, his features were striking but not conspicuously handsome. His hair was wiry and gingerish and brushed backwards from the temples. His skin seemed to be pulled backwards from the nose. There was something very slightly odd about him, but it was difficult to say what it was. Perhaps it was that his eyes didn’t blink often enough and when you talked to him for any length of time your eyes began involuntarily to water on his behalf. Perhaps it was that he smiled slightly too broadly and gave people the unnerving impression that he was about to go for their neck.

He struck most of the friends he had made on Earth as an eccentric, but a harmless one, an unruly boozer with some oddish habits. For instance he would often gatecrash university parties, get badly drunk and start making fun of any astrophysicist he could find till he got thrown out.

Sometimes he would get seized with oddly distracted moods and stare into the sky as if hypnotized until someone asked him what he was doing. Then he would start guiltily for a moment, relax and grin.

“Oh, just looking for flying saucers,” he would joke and everyone would laugh and ask him what sort of flying saucers he was looking for.

“Green ones!” he would reply with a wicked grin, laugh wildly for a moment and then suddenly lunge for the nearest bar and buy an enormous round of drinks.

Evenings like this usually ended badly. Ford would get out of his skull on whisky, huddle into a corner with some girl and explain to her in slurred phrases that honestly the colour of the flying saucers didn’t matter that much really.

Thereafter, staggering semi-paralytic down the night streets he would often ask passing policemen if they knew the way to Betelgeuse. The policemen would usually say something like, “Don’t you think it’s about time you went off home sir?”

“I’m trying to baby, I’m trying to,” is what Ford invariably replied on these occasions.

In fact what he was really looking out for when he stared distractedly into the night sky was any kind of flying saucer at all. The reason he said green was that green was the traditional space livery of the Betelgeuse trading scouts.

Ford Prefect was desperate that any flying saucer at all would arrive soon because fifteen years was a long time to get stranded anywhere, particularly somewhere as mind-boggingly dull as the Earth.

Ford wished that a flying saucer would arrive soon because he knew how to flag flying saucers down and get lifts from them. He knew how to see the Marvels of the Universe for less than thirty Altairan dollars a day.

In fact, Ford Prefect was a roving researcher for that wholly remarkable book The Hitch Hiker’s Guide to the Galaxy.

Human beings are great adaptors, and by lunchtime life in the environs of Arthur’s house had settled into a steady routine. It was Arthur’s accepted role to lie squelching in the mud making occasional demands to see his lawyer, his mother or a good book; it was Mr. Prosser’s accepted role to tackle Arthur with the occasional new ploy such as the For the Public Good talk, the March of Progress talk, the They Knocked My House Down Once You Know, Never Looked Back talk and various other cajoleries and threats; and it was the bulldozer drivers’ accepted role to sit around drinking coffee and experimenting with union regulations to see how they could turn the situation to their financial advantage.

The Earth moved slowly in its diurnal course.

The sun was beginning to dry out the mud Arthur lay in.

A shadow moved across him again.

“Hello Arthur,” said the shadow.

Arthur looked up and squinting into the sun was startled to see Ford Prefect standing above him.

“Ford! Hello, how are you?”

“Fine,” said Ford, “look, are you busy?”

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Released.

Nightglory

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Currently Reading…

The Last Kingdom, by Bernard Cornwell.

The premise: in a dark ages, divided England, a young English boy is second in line to inherit his family’s Kingdom after his father Uhtred and his older brother Uhtred. But life is hard, harsh, and the Danes have come to invade: first drawing his older brother from the castle to kill in an ambush, then destroying the combined armies of his father and allies in war. Captured by the enemy, the young heir must now survive in a world where the war to reclaim England feels like it will never end…

I was intrigued after the first chapter. The story is strong, and the narrative compelling. Can’t wait to find out where it goes from here.

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Progress Report

Writing the new science fiction story again, but editing has taken priority: 95% done with the final pass of the Nightglory 3rd Edition, and more than halfway done with the first pass of the military science fiction story (May 2016). Next on the plate is the Übermensch 3rd Edition (April 2016), which will be also be quite an upgrade 🙂

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